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Wiser Than a God by Kate Chopin
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II

The door of the stately mansion at which Paula rang, was opened by a footman, who invited her to "kindly walk upstairs."

"Show the young lady into the music room, James," called from some upper region a voice, doubtless the same whose impossibilities had been so summarily dealt with by Herr Engfelder, and Paula was led through a suite of handsome apartments, the warmth and mellow light of which were very grateful, after the chill outdoor air.

Once in the music room, she removed her wraps and seated herself comfortably to await developments. Before her stood the magnificent Steinway, on which her eyes rested with greedy admiration, and her fingers twitched with a desire to awaken its inviting possibilities. The odor of flowers impregnated the air like a subtle intoxicant and over everything hung a quiet smile of expectancy, disturbed by an occasional feminine flutter above stairs, or muffled suggestions of distant household sounds.

Presently, a young man entered the drawing room,- no doubt, the college student, for he looked critically and with an air of proprietorship at the festive arrangements, venturing the bestowal of a few improving touches. Then, gazing with pardonable complacency at his own handsome, athletic figure in the mirror, he saw reflected Paula looking at him, with a demure smile lighting her blue eyes.

"By Jove!" was his startled exclamation. Then, approaching, "I beg pardon, Miss- Miss-"

"Von Stoltz."

"Miss Von Stoltz," drawing the right conclusion from her simple toilet and the roll of music. "I hadn't seen you when I came in. Have you been here long? and sitting all alone, too? That's certainly rough."

"Oh, I've been here but a few moments, and was very well entertained."

"I dare say," with a glance full of prognostic complimentary utterances, which a further acquaintance might develop.

As he was lighting the gas of a side bracket that she might better see to read her music, Mrs. Brainard and her daughter came into the room, radiantly attired and both approached Paula with sweet and polite greeting.

"George, in mercy!" exclaimed her mother, "put out that gas, you are killing the effect of the candle light."

"But Miss Von Stoltz can't read her music without it, mother."

"I've no doubt Miss Von Stoltz knows her pieces by heart," Mrs. Brainard replied, seeking corroboration from Paula's glance.

"No, madam; I'm not accustomed to playing dance music, and this is quite new to me," the girl rejoined, touching the loose sheets that George had conveniently straightened out and placed on the rack.

"Oh, dear! 'not accustomed,'?" said Miss Brainard. "And Mr. Sohmeir told us he knew you would give satisfaction."

Paula hastened to reassure the thoroughly alarmed young lady on the point of her ability to give perfect satisfaction.

The door bell now began to ring incessantly. Up the stairs, tripped fleeting opera-cloaked figures, followed by their black robed attendants. The rooms commenced to fill with the pretty hub-bub that a bevy of girls can make when inspired by a close masculine proximity; and Paula, not waiting to be asked, struck the opening bars of an inspiring waltz.

Some hours later, during a lull in the dancing, when the men were making vigorous applications of fans and handkerchiefs; and the girls beginning to throw themselves into attitudes of picturesque exhaustion- save for the always indefatigable few- a proposition was ventured, backed by clamorous entreaties, which induced George to bring forth his banjo. And an agreeable moment followed, in which that young man's skill met with a truly deserving applause. Never had his audience beheld such proficiency as he displayed in the handling of his instrument, which was now behind him, now overhead, and again swinging in mid-air like the pendulum of a clock and sending forth the sounds of stirring melody. Sounds so inspiring that a pretty little black-eyed fairy, an acknowledged votary of Terpsichore, and George's particular admiration, was moved to contribute a few passes of a Virginia breakdown, as she had studied it from life on a Southern plantation. The act closing amid a spontaneous babel of hand clapping and admiring bravos.

It must be admitted that this little episode, however graceful, was hardly a fitting prelude to the magnificent "Jewel Song from 'Faust,'" with which Miss Brainard next consented to regale the company. That Miss Brainard possessed a voice, was a fact that had existed as matter of tradition in the family as far back almost as the days of that young lady's baby utterances, in which loving ears had already detected the promise which time had so recklessly fulfilled.

True genius is not to be held in abeyance, though a host of Engfelders would rise to quell it with their mundane protests!

Miss Brainard's rendition was a triumphant achievement of sound, and with the proud flush of success moving her to kind condescension, she asked Miss Von Stoltz to "please play something."

Paula amiably consented, choosing a selection from the Modern Classic. How little did her auditors appreciate in the performance the results of a life study, of a drilling that had made her amongst the knowing an acknowledged mistress of technique. But to her skill she added the touch and interpretation of the artist; and in hearing her, even Ignorance paid to her genius the tribute of a silent emotion.

When she arose there was a moment of quiet, which was broken by the black-eyed fairy, always ready to cast herself into a breach, observing, flippantly, "How pretty!" "Just lovely!" from another; and "What wouldn't I give to play like that." Each inane compliment falling like a dash of cold water on Paula's ardor.

She then became solicitous about the hour, with reference to her car, and George who stood near looked at his watch and informed her that the last car had gone by a full half hour before.

"But," he added, "if you are not expecting any one to call for you, I will gladly see you home."

"I expect no one, for the car that passes here would have set me down at my door," and in this avowal of difficulties, she tacitly accepted George's offer.

The situation was new. It gave her a feeling of elation to be walking through the quiet night with this handsome young fellow. He talked so freely and so pleasantly. She felt such a comfort in his strong protective nearness. In clinging to him against the buffets of the staggering wind she could feel the muscles of his arms, like steel.

He was so unlike any man of her acquaintance. Strictly unlike Poldorf, the pianist, the short rotundity of whose person could have been less objectionable, if she had not known its cause to lie in an inordinate consumption of beer. Old Engfelder, with his long hair, his spectacles and his loose, disjointed figure, was hors de combat in comparison. And of Max Kuntzler, the talented composer, her teacher of harmony, she could at the moment think of no positive point of objection against him, save the vague, general, serious one of his unlikeness to George.


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